Questions of identity seem to loom large in Lifehouse's mind. On their third album, they titled it after themselves, and now on its 2007 follow-up, th...more
The music of Yolanda Adams can be divided into two periods: her tenure at gospel-only labels through most of the '90s and the time after her Elektra R...more
Five albums shows serious longevity in the ever-fluctuating world of hip-hop, and Kj-52 is definitely one of its more popular contenders. He calls “Th...more
With Oh! Gravity, the San Diego-based modern rock act delivers their best album in years, one that fully reconciles their (Christian) faith with their...more
Following successes in rock, dance, instrumental and more traditional worship, Michael W. Smith sees no need for further reinvention with his 2006 alb...more
The envy of young power rock singers the world over, Jeremy Camp chose to forge ahead in the same direction on his fourth studio album, 2006's Beyond ...more
Comatose, the band's seventh album and probably their most accessible. While Skillet has never been ashamed of their softer side, they've tended to le...more
Mainstream rock with all the rough edges smoothed out (albeit with some added muscle) was in high demand circa 2006, and bands such as Pillar are cert...more
It's quite possible that Chris Tomlin's fourth studio album is the one that firmly seals his place as the ultimate innovator in praise & worship m...more
The evolution to a pure rock sound on Jars of Clay's seventh studio album, Good Monsters, is not a far cry from traces of alternative rock that surfac...more
For her second secular album, former Christian pop star Stacie Orrico eases into another enjoyable set of catchy R&B/dance-tinged tunes. While mos...more
Deriving from a variety of influences such as Muse, Chevelle, Blindside and Linkin Park, Red brings a unique blend of heavy guitars, intense string ar...more
